Opera the Way It Was Meant to Be

Madison Opera opens its 59th season with a spot-on La Traviata   Call me old-fashioned—or if you prefer, an old-school conservative—but when it comes to the way an opera should look, I generally want operas such as Carmen to look the way they did when the creative teams created them. Thus I came away from…

“Rusalka” Proves an Elusive Fairy Tale

Madison Opera closes season with Dvorak’s on-again, off-again near-masterpiece   What to do with Rusalka? Just like the Prince in Dvorak and Kvapil’s telling of the Czech version of “The Little Mermaid,” we can never fully possess her as a woman, and, while he may decide that as a water sprite she really is to…

There’s a New Prince in Town

John Lindsey aims to charm Madison Opera audiences in Dvorak’s Rusalka   John Lindsey undoubtedly cut a fine figure (and surely sang well) in his Madison Opera debut last summer at Opera in the Park. But this weekend will mark his stage debut for the company, as it closes its season with Dvorak’s luminous fairy-tale…

Madison Opera Goes Old School

Some great singing and a traditional approach revive “Cavalleria Rusticana” and “Pagliacci”   It has been more than 30 years since Madison Opera staged that once-ubiquitous double bill of one-act operas, “Cavalleria Rusticana” and “Pagliacci.” That’s nothing—I’ve been attending and listening to opera for a little over half a century, and I never managed to…

Madison Opera’s Carmen So Easy to Love

Baseball may be over, but the season-opener is a home run It isn’t just that Bizet’s incarnation of Carmen, the wanton gypsy girl who ruins lives almost as quickly as the composer strung together hit numbers in his opera, seduces Don Jose so easily—she is responsible for ensnaring many a first-time listener into the world…

Madison Opera’s “Flute” Finds Plenty of Vocal Magic

Mozart’s late hybrid stage work proves a hit Friday night   Okay, let’s get this out of the way right now: Yours truly is not the optimal critic for a performance of Mozart’s The Magic Flute. I didn’t fall under its spell when I first heard it about 45 years ago, and no version since,…

Young Leads Win Hearts in Madison Opera’s “Romeo”

A tender Romeo et Juliette opens Madison Opera’s 56th season The timeless story of the bitter and deadly feud between the Montagues and Capulets might have been well-timed for the divisiveness of our current electoral state nationally, but the better news is that Madison Opera’s production of Gounod’s Romeo et Juliette was sweet salve for…

Infusing “Romeo et Juliette” with…”Romeo and Juliet”

Madison Opera opens its season with the Gounod gem Madison Opera launches its 56th season this weekend with Romeo and Juliette, a gem of the repertoire that adds to the closing celebrations of the 400th anniversary of the death of Shakespeare. I count myself a lover of Shakespeare (although I never saw a live version…

Delayed But Not Drowned, “Opera in the Park” Celebrates Its 15th Event

Minus Maestro DeMain (and the rain), the winning formula delivers another “Grand Night for (and of) Singing”   It was perhaps inevitable that Saturday’s storms would mean that Sunday night’s 15th annual Madison Opera in the Park event would fail to draw the usual throng of 15,000 or so. But all that mattered to the…

Madison Opera Stands Tall for “Little Women”

(Eric Neuville as Laurie and Courtney Miller as Meg in Mark Adamo’s Little Women. Photo by James Gill). In presenting Mark Adamo’s 1998 operatic treatment of Little Women, Madison Opera continued a strong and welcome tradition of presenting worthy recent works, particularly by American composers, and effectively utilizing the more intimate Capitol Theater. When a…